The shots in the course are part of a short film in the making, so the course will cover typical workflows for film VFX and subjects such as color matching, grading for editorial, color spaces and various formats. So in addition to Nuke, students will also be using Maya, Arnold, SpeedTree and Hiero. Rather, it’s about getting the shots done and making them look great - using whatever combination of software and techniques is required to achieve this goal. While the main focus will be Nuke compositing, this course is not about a specific application. Taught by Emmy and VES award winning supervisor Eran Dinur, the course addresses this need by treating different tasks – compositing, modeling, lighting and matte painting – as one continuous process. The VFX industry is in constant flux, and artists see a growing need to develop a wider scope of CG skills and be prepared to deal with a variety of VFX challenges. This advanced course offers students the opportunity to work through 3 demanding shots – from the first steps to the finishing touches – employing on the way a variety of techniques to tackle some tough challenges.
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